Charles James evening coat 1939 which looks “quite conventional in  structure [from the front], from the side an extraordinary profile is  revealed. Stiff fins extend from the back and the arms creating an  aggressive dehumanized shape. The coat transfigures its wearer into  automaton- part machine, part human- recalling the Surrealist  fascination with automatons and their elision of the organic and  inorganic man and machine”. 
Wood, G 2007,’ Surreal Fashion”, in The  Surreal Body: Fetish and Fashion, First edition, V& A Publications,  South Kensington, PP77.
Nadia 
 
 
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